Feb 17 2012 Dan Thompson L2 clinic
with Kathy Cheever, Lisa Graf and Paula Salter:
The workshop had already started
when I arrived. I took a few notes—primarily for myself to apply to Try and I.
It was a great session and I wish Try and I could have participated.
YOYO:
find my focus. This is an active
game but not chasing body parts. For me find the focus I forget to look beyond
Try into a point in the distance—she is good about fixing it for me tho.
Backing in the yoyo—I settle for
less than a snappy backup—I generally do this during quiet warmup time and I
need a snappy warmup if I want a snappy backup.
Sideways on a circle:
Check are her front feet escaping,
if so backup. Try should learn her front feet won’t move as much as her back
feet. When the front escapes, the horse is not playing with you and not turning
loose of her HQ.
Phases: 1. Lift stick, 2. Small
circling, 3. Sideways motion toward flank 4. One side slap i.e. phase 4 is whatever
it takes to cause her to care.
Impulsion game: the horse’s brain
is running away and physical self is trying to catch up. Need to go long enough
that horse will ask to do less.
Note: holding the snap
To advance the game: start with
one good step, then several, then farther away on the circle and then trot
Match my shoulders here is just a
little to cue direction but not so much as to disconnect with the horse.
Sideways game without the fence:
i.e. follow my focus
Strong focus on where we are going
and don’t chase body parts
Escape forward backup,
backward—lead forward
Impulsion game—play until horse
quits running away—escaping not just when she does the sideways task sorta ok
Not critical being particular
about precision
Do both sides Ha HA
3 words for level 1: Just keep
playing—sooner or later one or the other of you will figure it out—versus
giving up too soon and horse learns the pattern of not doing it.
In beginning, human may have to
work a little hard, can refine later.
Always ok to chunk down into
simpler pieces where horse and human can be successful.
Horse who wants to face up? Here
is good use of backup—how good is your backup
S bends i.e. draw
This is still about hunt for my
focus, matching and mirroring like riding—do in your body what you want them to
do it yours.
Change sides when you get two
eyes—one a circle not figure 8—push shoulder and watch for impulsiveness
We are playing with communicating
with our body language and developing physical flexibility in the horse.
We are starting with the HQ and
not the head. Begin at that end to turn loose, then ribs, then neck progressing
from back to front.
Pressure on the HQ can mean many
things: go faster, powerup, power down, shape
Check human’s feet go backwards in
S bend—its draw.
Advance: take it to a trot.
Falling leaf at a canter becomes a
simple lead change—S bend a flying change
Zone 5 on the rail